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The Snow Queen Review

The Snow Queen Review

29th November 2024 – 4th January 2025

Is there anything better than realising you’ve been watching a show for the good part of 20 minutes with a goofy grin on your face? How about when the whole room laughs at a joke made on stage, but the actor somehow made you feel as if it was just for you? Or what about the cosy, warm embrace of a classic Hans Christian Anderson tale? 

Let me tell you, there is no better feeling than any of the above. And if you want to experience a show that has all three in abundance, then get down to The Tabard Theatre in Chiswick and catch Louise Haddington’s wonderful adaptation of The Snow Queen. From the cast’s exceptional stage presence, to the stunning light and sound design, to the pure joy of puppetry – this show actually is fun for all the family. 

The Snow Queen is the perfect Christmas treat

The story follows Kai, played by Cameron Chalmers, and Gerda, played by Rosie Kahlon: best friends, around the age of 12, who love spending time together. That is, until Kai gets put under a spell by the stunning, yet sinister, Snow Queen, and Gerda must go on a quest to save him. 

It was a joy to watch Kahlon and Chalmers interact – they are two stars in the making with an animated quality that even Disney would be hard-pressed to recreate. In fact, it seemed a shame that Kai was taken under the Snow Queen’s spell, as it meant Chalmers got less time on stage for the rest of the show. In fact, we missed him so much that when he appeared again in Act 2 to dual role as a prince, you could almost hear the audience collectively cheering with delight. He was a safe pair of hands and an embodiment of pure entertainment.

Similarly, Kahlon put on just as impressive a performance. Her Gerda reminded me of Lyra from His Dark Materials – brave yet naive, bright eyed and pure hearted, you can’t help but warm to her character. As Gerda went along her journey, Khalon shone on stage and helped bring energy to the play so that it continued to romp along. The only moment I felt it lost momentum was when Gerda came across a nasty witch (played by Caitlin Wood); this scene felt slightly too long or maybe was lacking the dynamics of the rest of the show, but nonetheless the lull was short-lived, and the introduction of puppetry quickly brought it back to life.

Caitlin Wood was also the puppeteer, and she took on this role with ease. Her small and perceptive gestures when operating these beautiful puppets meant the animals were brought to life and well-loved by us as audience members. The crow in particular got a huge laugh when he started complaining about his “Mrs”, and I had goosebumps from the magical moment when the reindeer slowly appeared from the wings. My only complaint was that Wood came in front of the reindeer near the end of the play, obscuring our view and breaking the illusion. 

It’s also worth noting that the script is full of wit. Maeve Elmore skillfully demonstrated this when she played a Professor Trelawney-like enchantress, as did the Snow Queen, played by Freya Compton, whose eye-rolling sass brought a lighthearted touch to the villain. 

Whether you’re after a family-friendly show, a date night, or to revel in some comforting nostalgia, The Snow Queen is the perfect Christmas treat. You can’t help but adore every second. 

The Snow Queen is running at The Tabard Theatre until the 4th January. 


Charli West

Rating: 4 out of 5.

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